Dear Shaded Viewers,

 

This weekend I attended Charles Jeffrey Loverboy’s Life Drawing Class at Dover Street Market Paris, a fun afternoon sketching and sharing with Mattéo Guillot. The night before, I was there for the Loverboy presentation, which went beyond a traditional runway, transforming the space into an immersive, pagan-punk environment with hand-painted fabrics by Charles. The presentation echoed the energy of the original club nights, where fashion, music, and bodies collided freely, creating a sense of community and creative rebellion.

 

 

 

The Loverboy aesthetic remains bold and experimental: layers of wool, silk, lace, ripped denim, and tartans combine with dramatic 80s-inspired silhouettes. The brand’s philosophy (laughter, refusal, care, and mess) celebrates accumulation, individuality, and resilience. In an unstable fashion industry, Loverboy reaffirms its queer, rebellious identity, showing that fashion can be both a form of resistance and a space for community, always for “the weirdos, by the weirdos.”

 

I captured some scenes using my new Lumix camera, one of the two treasured gifts Diane gave me last week during my graduation dinner celebration.

Special thanks to Marie Montiglio and Alessandro Santagostino.

 

Yours digitally,
Pedro

Pedro Guez

Paris-based, Mexican-born multidisciplinary creative, Pedro Guez specializes in Creative & Digital Innovation Direction with a focus on Fashion-Tech and Generative AI in Art, Fashion & Media. He leads Studio Obvio, home to his original IP, 'Arcadia Black Sheep', a unique anime universe exploring digital culture and future narratives for fashion. Pedro curates the AI-Generated Fashion Film category at the ASVOFF Film Festival, supporting creatives worldwide while exploring how generative technologies can expand and democratize artistic expression. With an Executive MBA from IFM Paris, his work integrates hybrid workflows and cross-geography creative communities, always open to alliances and collaborations to imagine the future.

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