Dear Shaded Viewers,
Jonathan Anderson well versed in the art of combining shapes and textures into sumptuous designs, unveiled his newest collection for JW Anderson today in London.
The collection was rooted in the materiality of what clothing is made for. Exploring the use of limited materials while transforming them into various looks. Featuring silk satin, cashmere knitwear, calf leather, sequin embroidery, and lace as the sole decorative elements, each look was a minimalists dream.
Anderson’s use of a reduced library of materials opens up a playground of opportunities for him to dominate in. The collection was far from restrictive, inspiring a reinvention of proportions and silhouettes. Knit stitches are inflated into voluminous weaves, bows are dramatically enlarged, and flaps are manipulated into irregular shapes that redefine the structure of skirts. Blankets are repurposed into dresses, and perfectly circular skirts seem to float effortlessly in mid-air. This creates a contrast between meticulous craftsmanship and a playful spirit.
Further exploring embellishments and surface treatment, architectural flappers’ V-necklines are enhanced by a cascading design element. A printed essay embellishes a sheath dress or is combined with argyle on a top. Reminiscent of early JW Anderson collections, allover argyle patterns add a nostalgic charm. The collection shows a striking contrast of skintight and voluminous silhouettes, with sculpted and slender forms, are all grounded by flat boots that sit casually on the ankles and the ever-present Loafer bag.
What Anderson is so good at is taking something that’s everyday and commonplace and transforming it into a timeless piece where statement or otherwise.
Later,
Bethany
