Dear Shaded Viewers,
Roberto Cavalli has died at his home in Florence after a long illness, aged 83. He represented Italian style in the same manner as Cinicitta, Gina Lollobrigida, or Lamborghini, sexy, curvy, and dangerous. He was a key figure amongst the Italian designers, like Gianni Versace and Dolce e Gabanna, who favoured a plush sexiness in their collections, and for whom rich fabrics, hourglass curves and tight tailoring were integral to their success.
This sexy image meant the faces and bodies of Kate Moss, Gisele Bunchen or Cindy Crawford poured into one of Cavallis’ opulent creations featured in advertising campaigns and on the red carpet across the globe.
Roberto Cavalli was born on November 15th, 1940, in Florence, when he was four his father was murdered by the Nazis as a reprisal for an attack by the Italian resistance. Subsequently Cavalli was raised by his mother, along with his sister, at the home of his grandfather Giuseppe Rossi, a painter. At seventeen he enrolled at the Florence Arts Institute where it quickly became apparent his specialist area was textiles. His fashion career started in 1960 with his wild floral prints on knitwear. In 1964 he married for the first time and his first daughter Christiana (who had been president of the company) was born in 1965.
The Cavalli emphasis on opulence in fabric was demonstrated in 1968 when he showed at the Prêt a Porter in Paris with exotic printed leathers, this same year his son Tommaso was born. Cavalli was now ready to launch under his own label and by 1971 he was invited to show at the prestigious Pitti Palace in Florence, at this time the heart of the catwalk season in Italy, alongside the new wave of Italian designers. This is the time when Cavalli establishes many of his signatures; metallic’s, especially on leather, patch working with an emphasis on denim and the wild statement dressing which attracts an International clientele, many from what in those days was referred to as the “jet set.” Indeed, when it is discovered that Brigitte Bardot shops for Cavalli, he opens a boutique called Limbo in St Tropez.
When he is asked to be a judge on the Miss Universe panel in San Domingo in 1978, he meets and falls in love with the winner, Eva Duringer from Austria, and in 1980 they are married. The 80’s are the period where Cavalli soft pedals his career and enjoys family life; his daughter Rachele is born in 1982 and he announces his retirement and Danielle his second son arrives in 1986. Collections continue to be shown only in Dusseldorf and New York.
Yet in the best tradition of Italian opera the final act of Cavallis’ life proves to be the most exciting, in 1990 Eva joins the business and in the same year stretch jeans with a sand blasted treatment makes the name of Cavalli headline fashion news once more. In 1993 Robin another son, and the fifth of the Cavalli children, is born and in 1994 Cavalli himself returns. His profile soars and through the 90’s into the 21st century the distinctive style of Cavalli grows internationally.
A new generation of stars discover the Cavalli look including Liz Hurley and Christina Aguilera.
Shops open in St Tropez, Venice, Rome, Marbella and Capri, new lines which include sunglasses, watches, scarves, lingerie, interiors, and children’s wear are developed and Just Cavalli launches in 1998 to introduce a younger version of his fashion vision. A fragrance for women is launched in 2000 allowing the consumer to experience the total Cavalli lifestyle; there is even a Cavalli nightclub.
In 2007 he collaborates on a collection for high street chain H & M and the subsequent stampedes for the budget price versions of the Cavalli look demonstrated how established his image had become.
The only hiccup within this time was his investigation for tax evasion which dragged on from 2002 to 2010 when he was then cleared. This was not unique to Cavalli; Armani, Valentino, Ferre and others have all been accused and subsequently acquited.
In 2025 Clessidra took over the company and Peter Dundas became the designer, as Cavalli slowed down in his fashion activities. In 2019 it sold to its current owners Damac Properties and the current designer is Fausto Puglisi.
The Cavalli signature always remained true to his textile beginnings, layering lavish fabrics in clashing and contrasting textures and patterns. Animal prints were a special signature alongside opulent brocades, leathers like satin and exotic patterning from across the globe.
In his 40th anniversary year 2010/11 he celebrated in extravagant style both in Milan and Paris, Gisele was once more swathed in the leopard print chiffons of Cavalli, proving his signature style is eternal.
He favoured a body conscious silhouette both for women and men. Draped sexiness, often with gravity defying slashes characterised his resort and evening wear.
As with the late Gianni Versace the quality of fabric, cut and finish lifted the collections to an elevated level and attracted an international clientele including Victoria Beckham, Catherine Zeta-Jones, Jennifer Lopez, Lenny Kravitz, Madonna, and Drew Barrymore.
He will forever be associated with a deeply Italian style of fashion, and Roberto Cavalli made a huge contribution to the global growth and importance of Italian fashion.