Dear Shaded Viewers,
In a fusion of fashion and fantasy, Kunihiko Morinaga’s Fall/Winter 2024-25 collection for Anrealage emerges as a vibrant tribute to the imaginative world of inanimate objects, under the iconic arches of Pont Alexandre III. With a bold leap from the conventional, Morinaga transports us into a realm where geometry meets couture, showcasing a parade of spheres, pyramids, and cubes that defy the mundane.
The spectacle kicks off with a playful homage to Doraemon, igniting a spark of childhood wonder as geometric figures, inspired by the cherished Japanese anime, strut in attire that beautifully marries whimsy with avant-garde fashion. The collection reveals Morinaga’s knack for blending the fantastical with the functional, presenting pieces that transcend traditional fashion norms. His designs, initially meant for objects, drape human forms in unexpected elegance, challenging our perceptions of fit and beauty.
However, a twist of fate saw technology falter, transforming what was to be a dynamic show into a static presentation. Yet, even in this scaled-down format, Morinaga’s vision shines through, with models and “floating” objects showcasing a future where fashion extends beyond the human form, hinting at a symbiotic relationship between people and their personal drones or avatars.
Morinaga’s venture into this uncharted territory doesn’t just push the envelope; it rips it open, proposing a whimsical yet wearable everyday fantasy. His collection is a siren call to embrace individuality, blur the lines between reality and make-believe, and to boldly wear one’s imagination on their sleeve. In this narrative, clothes are not just garments but a playground for the imagination, where the lines between animate and inanimate blur, offering a glimpse into a future where fashion is free from constraints of age, gender, and body shape.
Later,
Leticia Dare
