Dear Shaded Viewers,
While I was in Beijing a few weeks ago, my friend Nancy somehow convinced my friend Jeffrey Ying and I to take the Bullet Train south to visit the strange city of Tianjin. I'm always up for a lark so it didn't take much prodding, and the odd rewards were numerous.
Eerie view from my train window of one of China's many pop-up cities in the process of being built. As most readers probably know, the Bullet Train gained instant notoriety several weeks ago when it crashed, leaving hundreds dead. The government responded with a news black out and quickly tried to bury the wrecked train in a wacky attempt to hide the evidence. I expected a super-fast ride that would cause the skin of my face to flutter back in folds, like those of sci-fi astronauts in spaceships hitting light speed. Instead, it was a smooth ride that did not feel fast at all–but we reached our destination in only 30 minutes. (The journey used to take 2 1/2 hours!)
When we emerged from the station, my first instinct was to turn around and dash for the first train back to Beijing. The toxic smog-drenched plaza was excessively muggy and exuded post-apocalyptic dread. For a moment I thought we had gotten on the wrong train and arrived in Pyongyang, North Korea instead. (Although in defense of Pyongyang, there wouldn't be any smog–there's no industry there.)
The clock tower in the foreboding plaza reminded me of Bender on "Futurama."
This kooky clock eschewed the Chinese zodiac and paid homage to the Western version instead.
Despite having no map and no idea where the hell we were (the train station is on the outskirts of the city) we managed to stumble upon Tianjin's #1 tourist sight: The "world-famous" China House!
According to our ticket stub, the China House was designed by Zhang Lianzhi, who turned this formally desolate French-style building into "a showcase of porcelain with more than 700 million porcelain pieces dating from Tang (AD 618-907) to Qing (1644-1911) dynasties, 13,000 porcelain vases and dishes, 300 stone lions, 300 marble sculptures….After 10 years' refurnishing, China House Museum has become a landmark and the most facinating architecture in TianJin Municipality."
Well, I don't know about "300 stone lions" (I only remember seeing a few) and one can't help feeling skeptical about the authenticity claims of the porcelain. (How did he get his hands on thousands of ancient vases and plates?!) But the house certainly has that "explosion in a Chinese shingle factory" (to paraphrase the famous review of Duchamp's "Nude Descending a Staircase") type of charm. Or rather, a Canal Street knock-off of a Gaudi structure. (In fact, much of this is a blatant ripoff of Park G