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A Shaded View on Fashion

Diane Pernet

Miscellaneous

The absence of time on…

January 3, 2012 by Diane Pernet
January 3, 2012
Miscellaneous

Happy NewYear Moon Spoon Saloon

January 3, 2012 by Diane Pernet
January 3, 2012
Miscellaneous

If you are in Paris and had the idea to go to the preview of David Fincher’s The Girl with the Dragon Tattoo…forget it..

January 3, 2012 by Diane Pernet
January 3, 2012
Miscellaneous

“A few of my favorite things” Curated selections from the Archives of Michael Berkowitz

January 3, 2012 by Diane Pernet
January 3, 2012
Miscellaneous

Anne Pigalle at Chateau Marmont – Mary Mother of God from L’Am

January 3, 2012 by Diane Pernet
January 3, 2012
Miscellaneous

Japanese Breakfast this morning with Akiko Hamaoka

January 3, 2012 by Diane Pernet
January 3, 2012
Miscellaneous

Damien Cadio, Tupelo at Galerie Eva Hober

January 3, 2012 by Diane Pernet
January 3, 2012
Art

Sunrise Erina – Matsui Erina’s solo Exhibition at Ohara Museum of Art, Kurashiki, Okayama

January 3, 2012 by Akiko Hamaoka
January 3, 2012
Miscellaneous

New Year’s visit to Meiji Jingu Shrine, Tokyo

January 3, 2012 by Akiko Hamaoka
January 3, 2012
Miscellaneous

MASTERPIECE FASHION BOOK

January 2, 2012 by Diane Pernet
January 2, 2012

Posts pagination

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asvof@instagram

So much fun thank you @balenciaga I love how the p So much fun thank you @balenciaga I love how the pieces reflect previous couture invitations. #paris #balenciaga #xmas
@doverstreetmarketparis looks amazing by day and n @doverstreetmarketparis looks amazing by day and night totally transporting.
@fondationcartier #art #paris @fondationcartier #art #paris
@mickalenethomas #allaboutlove @culture_gouv @le_g @mickalenethomas #allaboutlove @culture_gouv @le_grand_palais @rachael__thomas #curator 17 December - 5 April
The highlight if 2025 was @asvoff_official @dovers The highlight if 2025 was @asvoff_official @doverstreetmarketparis thankvyou @adrianjoffe thank you my beautiful jury and the best President @newyorkwilly and my team @miguelvillalobosnyc @gagliostro @hickey___minaj @pedro.guez @okostakis @livcaldwell_ All theme curators and their jury and team @referencestudios @hannna_varga @mumihaiati Happy New Year to all looking forward to seeing you in 2026 onward and upward through these crazy times stay positive and be kind do whatever you can to make our world a better place. Remember "If you think you are too small to make a difference, try sleeping with a mosquito." Stay curious be passionate #paris #film #riseupandshine
dianepernet.substack @edgelinemag #existentialcris dianepernet.substack @edgelinemag #existentialcrisis Creative Direction @sara_vukosavljevic and @wassimlahmer_ Fashion Direction and Styling @wassimlahmer_ #photography @aytekinyalcin #make-up @hugo_villard interview @waoff Stylist Assistant @chrisilentus @loustass On-set production @muddledmumbless Production @edgelinelab Special thanks @cor_studio Editorscin Chief @sara_vukosavljevic @wassimlahmer_
@gerhard.richter born in 1932 so much work I had n @gerhard.richter born in 1932 so much work I had never seen went with @okostakis just loved it
LISA KONNO’s masquerade is FIGURE – dance it! @lis LISA KONNO’s masquerade is FIGURE – dance it! @lisakonno 🩰ྀི 𝜗𝜚 Clothing as a musical instrument During her first exploration of combining textiles and ceramics — for her solo exhibition The Porcelain Body in 2024 — Lisa Konno discovered the beauty of the ticking, creaking, and jingling sounds produced when ceramics move around a body. In Figure, she continues her research into the many possibilities of these sounds. Her unique garments, crafted from textile and ceramic, evolve into musical instruments and simultaneously form the foundation of the movement vocabulary that choreographer Peter Leung created for the project. 𝜗𝜚 From means of expression to ceramic corset In addition to the music and choreography, the narrative of Figure is also shaped by Konno’s creations. Through her garments, the audience is guided through a woman’s life journey, experiencing how her relationship with her appearance and beauty changes across the different stages of her life. The works also illustrate the various roles that fashion can play — from a means of expression to a rigid ceramic corset. When does fashion empower, and when does it oppress? And how can fashion have relevance without imposing ideals of beauty?” – @nationaleoperaballet Dates 30 – 31 January 2026   Concept, story, direction and designs: Lisa Konno Choreography & Co-direction: Peter Leung Music: Ricky Cherim (Meetsysteem) Dancers: Matchima Josephine Flos, Rachele Chinellato & Veronika Rakitina Supported by: Stimuleringsfonds, Amsterdams Fonds voor de Kunst, Amarte Fonds, Textiel Museum & the European Ceramic Work Centre (EKWC). Show selected by @oficina.gabardine X @asvof ✨ 🎥: © @salmiak.studio - Courtesy of Pr
@newyorkwilly @matieresfecales @pkd_19 @manisharor @newyorkwilly @matieresfecales @pkd_19 @manisharorafashion @raphaelaviges @marcascoli Martine Sitbon @m.j.h.a.r.p.e.r @ericdaman_style @pam_boy @jesscuevas7 @okostakis @hickey___minaj a d thank you to @adrianjoffe @doverstreetmarketparis @maccosmetics @chantelle_paris @eng.concept.store @matteprojects @pamelaclub @worldnetintl Fonds Pour Les Ateliers de Paris @lotkaandco @referencestudios @myairbridge @asvoff_official @fnlnetwork

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