Dear Shaded Viewers,
For Fall/Winter 2026–27, Hiroaki Sueyasu chooses silence.
KIDILL has been punk since its debut in 2014. Hiroaki works with contradiction, but also with balance: innocence and aggression, cute and hardcore, fragility and strength. These opposites stay together. Fashion becomes a way to survive and remain steady within chaos.
The collection expresses this tension piece by piece. Muted tones meet black rubber distressing. A MA-1 created with ALPHA INDUSTRIES combines military structure with soft tulle. Artworks by Tokyo underground artist Trevor Brown appear as wings, coats, and layered images that wrap the body.
In a short and intimate interview, Hiroaki explains that the anime-ish details in the collection are a way to connect Japan with the rest of the world. Japanese culture as a bridge to the international. He is always looking toward what’s next.
Backstage pictures by Sammy Bienheureux.
Backstage pictures by Sammy Bienheureux.
Backstage pictures by Sammy Bienheureux.
Backstage pictures by Sammy Bienheureux.
Backstage pictures by Sammy Bienheureux.
Backstage pictures by Sammy Bienheureux.
Backstage pictures by Sammy Bienheureux.
Backstage pictures by Sammy Bienheureux.
Backstage pictures by Sammy Bienheureux.
Backstage pictures by Sammy Bienheureux.
Backstage pictures by Sammy Bienheureux.
Backstage pictures by Sammy Bienheureux.
Backstage pictures by Sammy Bienheureux.
Backstage pictures by Sammy Bienheureux.
Music, as always at KIDILL shows, was great. I also loved the bows in the collection.
Yours digitally,
Pedro
Pedro Guez
Paris-based, Mexican-born multidisciplinary creative, Pedro Guez specializes in Creative & Digital Innovation Direction with a focus on Fashion-Tech and Generative AI in Art, Fashion & Media. He leads Studio Obvio, home to his original IP, 'Arcadia Black Sheep', a unique anime universe exploring digital culture and future narratives for fashion.
Pedro curates the AI-Generated Fashion Film category at the ASVOFF Film Festival, supporting creatives worldwide while exploring how generative technologies can expand and democratize artistic expression.
With an Executive MBA from IFM Paris, his work integrates hybrid workflows and cross-geography creative communities, always open to alliances and collaborations to imagine the future.
