Dear Shaded Viewers,
Q&A Christian Astuguevieille
Odeur 10
1. What was the inspiration behind Odeur 10?
The inspiration is hydrogen peroxide, a traditional disinfectant product that
conveys a sense of cleanliness, extreme cleanliness, and at the same time, it’s
reassuring.
It’s a product that is less commonly used in our time, with a slightly nostalgic
aspect as well.
2.How did you translate that inspiration into scent?
Comme des Garçons is accustomed to using materials that aren’t traditional
perfume ingredients, such as nail polish, the smell of tar, the scent of an
effervescent tablet unfolding in a glass, or the smell of a garage.
When smelling the scent of hydrogen peroxide, we found it inspiring and slightly
nostalgic, which captured our interest.
3. How did it connect to the philosophy behind the other Odeurs (53, 71 and Theatre
du Chatelet)?
Odeur 53 is about memory, anticipated things; it’s the scent of mother’s nail polish,
laundry dried in the wind.
Odeur 71 is all these everyday tools that overheat; it’s a concept embedded in the
memory of many people.
Odeur du Théâtre du Châtelet is also the smell of a particular moment—sitting in
those red seats, in that theater with Parisian tradition, with the notion of pleasure.
4. How does Odeur 10 relate to Comme des Garçons approach to perfumery?
Odeur 10 is inherently linked to the approach of Comme des Garçons.
Comme des Garçons can use everyday materials from our shared environment, or
the finest materials, like vetivers, patchoulis, and also surprising raw materials.
This is where we find our freedom and coherence, being able to blend synthetic
and everyday scents with remarkable raw materials in our perfume catalog.
In the case of hydrogen peroxide, it’s an astonishing synthetic material, marked by
its synthetic nature but refined to become this Odeur 10
As for the book Comme des Garçons Parfums 1994-2025 by Simonett & Baer it covers the 30 year history of the anti-perfume fragrances. The nearly 100 anti-perfumes also included collaborations with the likes of Stephen Jones, Daphne Guinness and Monocle among others. The book traces the history of Comme des Garçons Parfums overseen by the creative director, Christian Astuguevieille with a text by Adrian Joffe.
Later,
Diane