Dear Shaded Viewers,

 

For Fall/Winter 2026–27, Hiroaki Sueyasu chooses silence.

KIDILL has been punk since its debut in 2014. Hiroaki works with contradiction, but also with balance: innocence and aggression, cute and hardcore, fragility and strength. These opposites stay together. Fashion becomes a way to survive and remain steady within chaos.

The collection expresses this tension piece by piece. Muted tones meet black rubber distressing. A MA-1 created with ALPHA INDUSTRIES combines military structure with soft tulle. Artworks by Tokyo underground artist Trevor Brown appear as wings, coats, and layered images that wrap the body.

 

In a short and intimate interview, Hiroaki explains that the anime-ish details in the collection are a way to connect Japan with the rest of the world. Japanese culture as a bridge to the international. He is always looking toward what’s next.

 

 

 

Music, as always at KIDILL shows, was great. I also loved the bows in the collection.

 

Yours digitally,
Pedro

Pedro Guez

Pedro Guez is the curator of the AI-Generated Film category at the ASVOFF Film Festival. A Paris-based multidisciplinary creative and digital art director, he holds an Executive MBA in Global Fashion Management from the Institut Français de la Mode (IFM), specializing in digital innovation, AI, and immersive storytelling.

SHARE