Dear Shaded viewers,
One of the most talked-about moments of the Paris 2024 Olympics wasn’t an athletic feat or an extraordinary display of physical ability. Instead, it was Joan of Arc, clad in silver-coloured leather armour, sailing down the Seine during the opening ceremony. Jeanne Friot, the fashion designer behind this revolutionary moment, reflected on what the leather-clad look meant to her and how her brand continues to evolve in her sixth collection, titled Visions.
As a queer woman leading an independent house—and as someone striving to make fashion more inclusive—Friot presented her revolution by channelling the spirit of Joan of Arc into ready-to-wear. Interpreting armour and protective utilitarian clothing, she evoked a feeling of invincibility, particularly resonant given the political and social tensions that resurfaced after the Olympic Games.
Broad shoulders commanded attention throughout, defining the silhouettes of floor-length coats in black vinyl, silver, and blood red. Black-and-white checkered prints and silver metallic windbreakers reinterpreted camouflage and armour in a city-ready context, while a hoodie made of chainmail paid homage to traditional battlewear. Jeanne Friot leaves no room for her wearer to be timid, exaggerating the silhouette with bright red faux fur coats, and sculpting mini skirts and dresses that emphasise the body’s natural strength. Like a rallying cry, the slogan “A Woman is Somebody, Not Some Body” is emblazoned across T-shirts and paired with recycled Levi’s 501 jeans. Her looks were paired with boots designed in collaboration with Both; minimalistic and utilitarian, crafted with sustainability in mind.
By presenting her vision so boldly, Jeanne Friot reminds us of the importance of expressing our voices and how fashion can serve as a powerful tool for liberation. Not only is it a way to make yourself seen but also a way to connect with others fighting your same fights.
Later,
Eliya
